September 24, 1981—I entered into an agreement with Golden Eagle Enterprises, Inc., the exclusive agent for Paul W. "Bear" Bryant, wherein Golden Eagle commissioned me to commemorate Bryant's 315th career win.  It was at this time that UA began providing me with sideline and press box media passes—usually two of each, for each home game. The practice continued over the following 21 years, with UA knowing full well that I was using them to obtain photo references for my paintings—the vast majority of which were not licensed.   In fact, UA's issuance of the Media Passes to me was ongoing for almost ten years before I licensed my first print with UA in 1991.  Knowing that UA may have decided not to issue the media passes to me, I logically construed that to mean I had a "green light" to proceed and that UA appreciated my activities.  This was one of the things that encouraged me to continue my artistic efforts.
April 1982—The Coach & 315  (NOT LICENSED BY UA—REQUIRED NO LICENSE) Published and distributed by Golden Eagle Enterprises, Inc.  However, the copyright in the artwork was retained by Daniel A. Moore—as evidenced in the verbiage "©1982 Daniel A. Moore" printed in the lower-right-hand margin of the print.
MARCH, 1982—UA Head Coach and A.D. Paul W. "Bear" Bryant personally thanks Moore before a crowd of about 1,500 people for "all he has done for the University" at the black-tie banquet event, "America's Tribute to Coach Paul W. Bryant" at the Sheraton Hotel in Washington, DC.
1983—Liberty  (LICENSED BY THE LIBERTY BOWL)
1985—The Kick   (NOT LICENSED BY UA—REQUIRED NO LICENSE)
1986—The Sack   (NOT LICENSED BY UA—REQUIRED NO LICENSE)
1988—Flashback   (NOT LICENSED BY UA—REQUIRED NO LICENSE)
1989—Desperation Block  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
1990—The Kick II  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
1991—Crimson Legacy  (1st PRINT LICENSED BY UA)
1993—The Tradition Continues  (2nd PRINT LICENSED BY UA)
1993—The Interception  (PUBLISHED, DISTRIBUTED BY UA)
1995—The Winning Connection  (3rd PRINT LICENSED BY UA)
1997—Grand Finale  (4th PRINT LICENSED BY UA)
1997—Stamp products  (LICENSED BY USPS AND BRYANT ESTATE)
1999—Run in the Mud  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2000—Rebirth in the Swamp  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2000—Two Winners  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2001—Between the Lines  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2001—Gameday  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2002—Third Saturday in October  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2002—Third Saturday Classic   (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2002—The Gamebreaker  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2003—The PutAway  (NOT LICENSED BY UA—REQUIRED NO LICENSE)
2003—Running Through the T  (NOT LICENSED BY UA—REQUIRED NO LICENSE)

From 1979 to this date, The University of Alabama has not sent me formal notification to "cease and desist" in publishing my Fine Art Prints depicting Alabama Athletics.  However, in 2002,there was a verbal discussion between the two parties that showed they disagreed as to what is—and what is not—"licensable."